Art News

Sanford Biggers mines African American history and traditions in a wide variety of ways—ranging from painting on and constructing collages with recycled quilts to making installation art, performance, video, and sculpture.

At the Museum of Arts and Design (MAD), Beth Lipman’s sumptuous feasts in glass glisten under the gallery lights.

How do you keep art and the people who care for it safe during a global pandemic? The spread of Covid-19 has not changed that level of care, which we give to the thousands of artworks and the millions of library and archive items in our collection. However, it has certainly created new challenges, whether that is the need for social distancing or restrictions on international travel. As the galleries move in and out of lockdown, our Collection Care teams have been working together to find new ways of looking after art in exceptional times.

The groundbreaking designs of Pierre Cardin have been giving us a look at the future for nearly seven decades.

Known for her bold-hued, pared-down geometric paintings, the 105-year-old Cuban-American artist has created her first series of large-scale, monumental sculptures.

For the first time in forty-five years, the Royal Collection is being rehung in a new location.

Palazzo Grassi, the contemporary art museum of the Pinault Collection in Venice, is hosting the exhibition Henri Cartier-Bresson: Le Grand Jeu, co-organized with the Bibliothèque National de France and the Fondation Henri Cartier-Bresson.

For six months the 2020 iteration of Made in L.A. has been on ice. It is art without an audience, hanging in an existential funk.

Though a contemporary of the great Impressionist and Post-Impressionist painters, Paul Cézanne had his own distinctive style and interests

DRIVES is South African artist Jo Ractliffe’s first-ever retrospective, featuring more than 100 works of photography, video, book art, and multimedia installation.