Art News

Award-winning photographer Joel Sartore is on a mission to document the world’s dwindling wildlife population.

Combining landscape photography with psychedelic colors, Terri Loewenthal creates striking photographic works evoking the wild soul of nature, now on view at Jackson Fine Art in Atlanta, GA.

Dustin Yellin makes mesmerizing artwork that tells complex, myth-inspired stories. How did he develop his style?

London-based artist Nasser Azam is a modern day Renaissance man.

David Bailey speaks about his signature portraits of the 1960s, recounting how he came to photograph such luminaries of the era as Mick Jagger, Jean Shrimpton, and Andy Warhol, among many others.

It’s an enormous monochromatic oil on linen composition featuring a jumble of figures, some consuming media, newspapers, TV screens, all crushed to near abstraction, suggesting a cacophony of sound. Painted by George Condo in 2018, its title, What’s the Point?, also happens to be the title of his new show at Sprüth Magers in Los Angeles through June 1.

Leslie Parke brings her large, textured abstractions to Gremillion and Company, Fine Arts, Inc in Houston this month. Her canvasses, some measuring more than seven feet across, and photographs offer rich tapestries of texture and color.

A multi-part ongoing exhibition is reexposing Americans to an influential period of modern Japanese art. Nonaka-Hill and Blum & Poe, both in Los Angeles, are mid-way through a comprehensive three-part exhibition series bringing pivotal Japanese art to America.

Since his death in 2005, attention to the minimalist painter Robert Duran has been, well, minimal. Duran was well-known in his liftime, having participated in a pair of Whitney Biennials (1969 and 1973). He mounted a number of solo exhibitions at New York’s Bykert Gallery, and his work was reviewed in Artforum, ArtNews and the New York Times as part of the vanguard of minimalist artists in the late ‘60s and early ‘70s.

Four thousand photos is almost too many, but Annie Leibovitz The Early Years, 1970-1983: Archive Project No. 1, at Hauser & Wirth, Los Angeles, through April 14, has more than that. In fact, there are so many that some are placed at ankle height, requiring young knees for viewing, while others sit six feet and above. High or low, they’re all worth seeing.