![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/category_card_187x139/public/ab15211bartonthe-more-human-lovelg.jpg?itok=LJbNuU6F)
Even if you don't know the name, chances are you've seen a reproduction of one of his prints. What is it about his work that has made it last? Through paintings, drawings, prints, and letters, our…
Museum
Anyone familiar with the Midas touch of Philip F. Anschutz won’t be surprised that the magnate has amassed one of the most impressive and important private Western art collections in the world.
The exhibition highlights the popularity of the cartes de visite in American society of the early 1860s and how becoming a carte de visite meant being famous, or at least, worthy of collection. Women…
Primarily drawn from the LACMA's collection, the exhibition brings together around 140 works spanning roughly 200 years. Subjects include a wide range—from iconic change-makers to ordinary people…
The first female Haitian artist to exhibit at the Met, Fabiola Jean-Louis was commissioned to create a piece for its groundbreaking current exhibition, Before Yesterday We Could Fly: An Afrofuturist…
Artist Anicka Yi answers questions from the public about her 2021-22 Tate Modern Hyundai Commission: In Love With The World. Yi is known for her experimental work which…
Provenance reveals the lives of collectors and the fortunes and fates that cling to the object like so many layers of dust. Such is the premise for this exhibition in which artist and author de Waal…
Roman ruins are not normally found in the buildings of insurance companies. Yet in the Rome headquarters of Enpam—the National Insurance and Assistance Body for Doctors and Dentists—visitors descend…
A collection of drawings by Jewish Argentinian-American artist Mauricio Lasansky took the world by storm after their debut at the Whitney Museum of Art in 1967, followed by a tour of North America.…
Besides a play on her name that’s a little on the nose, Gillian Wearing: Wearing Masks also represents the first North American retrospective of the British conceptualist and Turner prize recipient’s…
Letizia Treves, James and Sarah Sassoon Curator of Later 17th-Century Paintings at the National Gallery looks up at Tiepolo's colourful ceiling painting, 'Allegory with Venus and…
“All the components together without the term ‘impressionism’ in the title is significant. We’re recognizing American art history for its complexity and richness.” Timothy Standring coined a…
Like many other pulse-taking surveys of contemporary art, Greater New York was conceived as a way for MoMA, via its PS1 satellite, to put its institutional stamp on the zeitgeist by measuring it…
A global phenomenon, the New Woman was a symbol of female empowerment based on real women making revolutionary changes in life and art. Meet eight pathbreaking women photographers,…
While his sardonic take on societal ills is omnipresent, the works are inevitably diminished out of context. Sure, you can step into an immersive room with four-wall projections, but immersive it isn…
![Merina [Pop Chalee] Lujan, Taos, 1906 – 1993, Yellow Horse, gouache on paper, 13 1/8 x 18 1/8 in. (33.3 x 46 cm.) Estimate: 1,000 – 2,000](/sites/default/files/styles/image_5_column/public/4630-58.jpg?itok=kBAYkc0u)
![Ginevra de’ Benci [obverse]. 1474/1478. Leonardo da Vinci. Oil on Panel. Ailsa Mellon Brue Fund, National Gallery of Art.](/sites/default/files/styles/image_5_column/public/ginevradebenciobverse196761a.jpg?itok=hIzdUTaK)
