Art Galleries & Museums

Sanford Biggers mines African American history and traditions in a wide variety of ways—ranging from painting on and constructing collages with recycled quilts to making installation art, performance, video, and sculpture.

At the Museum of Arts and Design (MAD), Beth Lipman’s sumptuous feasts in glass glisten under the gallery lights.

Known for her bold-hued, pared-down geometric paintings, the 105-year-old Cuban-American artist has created her first series of large-scale, monumental sculptures.

Creating colorful narratives about erotic encounters from needle and thread, Sophia Narrett makes fascinating embroidered artworks that are fueled by love and desire.

For the first time in forty-five years, the Royal Collection is being rehung in a new location.

Ed Clark was hardly a household name, but his work fit squarely in the era’s prevailing genre–Abstract Expressionism. The thing is, Clark was black.

Among the fourteen recent works by Robert Longo in his new show, Storm of Hope, there’s plenty of storm, but where’s the hope?

Visually striking, Fred Tomaselli’s multimedia paintings are accumulations of collaged body parts, pharmaceuticals, plant-life, and paint.

Palazzo Grassi, the contemporary art museum of the Pinault Collection in Venice, is hosting the exhibition Henri Cartier-Bresson: Le Grand Jeu, co-organized with the Bibliothèque National de France and the Fondation Henri Cartier-Bresson.

For six months the 2020 iteration of Made in L.A. has been on ice. It is art without an audience, hanging in an existential funk.