Art Galleries & Museums

Eve Arnold was a woman in a profession dominated by men. She strongly opposed the label of “woman photographer” because she simply wanted to be recognized as a photographer who happened to be a woman.

Female artists are taking over the Museum of Fine Arts, Boston (MFA) in a new exhibition addressing the pernicious problem of underrepresentation in art museums.

When asked if his work was inspired by God, Matisse replied, “Yes, but that god is me.” 

The city of Vancouver in British Columbia, Canada, has a new, stunning mural by the American street artist and activist Shepard Fairey.

Although revered by his contemporaries, Jackson Pollock and Willem de Kooning, the fiercely independent Hyman Bloom was relegated to the sidelines due in part to his mystical nature and reticence to engage in an increasingly celebrity-driven art scene.

In her genre-bending sculptures, Natalie Ball is playing with what we think we know. Subverting tropes about Native American identity and art by repurposing familiar materials, Ball points out the absurdity of our assumptions.

At the age of 80, Judy Chicago has arrived.

Harmony, a new outdoor installation by American artist Mineo Mizuno (born 1944) is currently on view at the Los Angeles County Museum of Art (LACMA). Mizuno has spent the last few years living on Fort Mountain Ranch in the foothills of the Sierra Nevada Mountains, and his work has been informed by that ancient forest.

A collaboration between the photographer Nigel Poor and current inmates at San Quentin State Prison is giving us a rare change of perspective on how we understand the lives and stories found behind bars.

In a city with its own contentious history of racism (like many others), two artists are grappling with the past and how it continues to shape the present.