Art Galleries & Museums

Michele Pred’s latest show at Nancy Hoffman Gallery is part exhibition, part directive. VOTE FEMINIST is as much a collection of works by the conceptual performance artist as it is a call to action.

After nearly 30 years without a major exhibition in the US, a key Impressionist painter is the subject of a monographic exhibition this fall. Berthe Morisot: Woman Impressionist is the result of a collaboration between the Barnes Foundation, the Dallas Museum of Art, the Musée national des beaux-arts du Québec, and the Musées d’Orsay et de l’Orangerie, Paris. 

Kehinde Wiley, the first African American to paint an official Presidential portrait, is exhibiting a new body of work inspired by the collection of the Saint Louis Art Museum (SLAM). Selected by former President Barack Obama to paint his portrait for the Smithsonian National Portrait Gallery, Wiley merges contemporary African American portraiture with historical masterworks, placing an under-represented people firmly in view, addressing the politics of race and power in art.

EVERYTHING, accomplished muralist Jeff Zimmermann’s first solo show in ten years, opens October 19 at Chicago’s Zhou B Art Center. The exhibition showcases Zimmermann’s most recent work, including large-scale paintings, works on paper and sculptures.

Hilma af Klint painted abstract canvases before there was abstraction. A new survey at the Guggenheim, Hilma af Klint: Paintings for the Future, asserts the artists rightful place a true artistic innovator and visionary. 

An explosion of neon and glitter make Devan Shimoyama’s figurative paintings vibrate off the wall, now on view at the Andy Warhol Museum in the artist’s first solo museum show, Cry, Baby. While the colors and textures of Shimoyama’s works may not be subtle, their content is, showing black men, usually portrayed in the media as tough, even violent, in a vulnerable state, some with rhinestone tears streaming down their faces.

Just in time for Halloween, the Morgan Library and Museum presents an exhibition to get bibliophiles, art, and movie lovers in the spirit of things. It’s Alive! Frankenstein at 200 explores the history of Mary Shelley's horror masterpiece and its continued cultural influence, examining its origins and its massive impact.

Paola Pivi has created her own surreal world for her exhibition Art with a view, opening October 13 at the Bass Museum of Art in Miami. Showcasing both new and familiar works across multiple genres, from sculpture and photography to installation and performance art, Pivi’s work combines the ordinary and the extraordinary, juxtaposing the expected with the unexpected.

British multimedia artist Hew Locke’s exhibition Patriots, now on view at New York's P.P.O.W, investigates how public statuary influences national identity and attitudes about history. Locke photographs public statues and embellishes the photographs, using culturally significant adornments to create a more complete conversation about the history these statues represent.

Hometown hero John Waters is getting his first retrospective in Baltimore at the Baltimore Museum of Art (BMA). Famous for his often raunchy, low-brow films that are laced with social commentary, Waters has also been making visual art since the early 90s. John Waters: Indecent Exposure highlights Waters’ unique and irrepressible sense of humor, as well as his special relationship to Baltimore, his lifelong home, and the setting of all 16 of his films.