Interviews & Essays

Interesting things are happening at the Colosseum. For the better part of a decade, the piazza surrounding Rome’s iconic amphitheater has been a mess.

Ever since their construction, the monuments and structures of ancient Rome have amazed and astounded their viewers with their grandeur and the ingenuity of their engineering. Throughout its history, Rome conquered much of modern Europe, northern Africa, and the Middle East, encompassing nearly 1.7 million square miles of territory at its height.

It’s the first night of Passover! Tonight, Jews all around the world will sit down together and recount the story of their ancestor’s exodus from Egypt and the Jewish people’s liberation from slavery. The Passover story is from the book of Exodus, which is one of the most central stories of the Torah, and it reflects some of the biggest themes in Jewish history: oppression, freedom, adversary, and the idea of a homeland.

Although such collections were kept by a wide range of groups and individuals—from Tsars to churches and apothecaries to scientific academies—a new wave of scholars have taken particular interest in the motives and cultural implications of the wealthy, often aristocratic, hobbyist collector.

Lately there have been investigations that highlight new theories on some of history’s greatest artists and their paintings. We wanted to dive into these theories to discuss their arguments, histories, and if there is any validity to them. Regardless, these new theories have proven that even if a work is three, or four, or five hundred years old, it can still cease to amaze and perplex us.

In the third installment in our series on jewelry’s place in art history, we’re exploring how the once-Emperor Napoleon used jewelry, and in particular, cameos, to try and secure his place in history.

Dadaism or Dada is an art movement of the early twentieth century characterized by irreverence, subversion, and nonsense. Dada art, performance, and poetry emerged in Zurich as a reaction to the horror and misfortune of World War I.

From anti-semites to abusers, this list is full of truly disheartening facts about artists who made some of the most beautiful work. There has long been an association between caustic temperaments and creative genius. But is this just an excuse developed by said jerks to get away with, quite literally in some instances, murder?

You may know the Dia Foundation from their renowned upstate escape, Dia Beacon. And while this arts center is a gem of contemporary art and sculpture, the Foundation’s work goes far beyond this singular location.

British sculptor Phyllida Barlow challenged the conventions of sculpture for over fifty years. On Monday, Barlow’s gallery Hauser & Wirth, confirmed her recent passing. She was 78.