Interviews & Essays

This installment of Art & Object's top art schools series showcases the best art schools of the West.

In the U.S. Capitol, amidst the statues of controversial politicians and military figures that protestors stormed past in January, stand several statues of quiet American heroes and heroines who are testaments to our country’s ability to change for the better.

It’s too soon to say, and this preview doesn’t presume to provide an answer. But it does offer a look at the art events to be excited for in the coming months.

The top-tier art programs of the Midwest tend to be relatively small, private art and design schools.

In a returning series, Art & Object delves into the top art schools and programs in the U.S. This week is dedicated to the Southeast.

Art & Object interviewed one of the finalists, the British architect, artist, and activist Sofia Karim, and asked what this nomination means for her.

In the special collection of brittle works on paper at the Boston Athenaeum lies Paul Revere’s 1770 hand-colored engraving, The Bloody Massacre.

In the second annual installment of this series, Art & Object delves into the top art schools and programs of the U.S.

On August 02, 2017 the very first piece of content went up on ArtandObject.com. It was a page simply titled “Picasso” with an embedded YouTube video about Christie’s upcoming sale of Picasso’s Femme assise, robe bleue.

Even if you can’t hold it in your hands, it is still art—at least, that appears to be the consensus as of mid-2021, when the NFT art market has mushroomed by more than 800 percent—or $429 million—in value since the year began.