Art News

The Museum of Wild and Newfangled Art (mowna) will open their final show of the year "This Show is Curated by a Machine 🤖" on September 23, 2021. The Artificial Intelligence curated exhibition opens with a talk on the development of the AI model followed by a Q&A with the AI Team: IV (Ivan Pravdin) and museum co-founders cari ann shim sham* and Joey Zaza.

In an on-going series, Art & Object delves into the top art schools and programs in the U.S.

Czech Center New York presents Peter Sís—The Wall, a documentary exhibition by the internationally acclaimed illustrator, author, and filmmaker. Curated by Joachim Dvořák and Michaela Šilpochová, the exhibition is based on Sís’s award-winning autobiographical picture book “The Wall: Growing Up Behind the Iron Curtain.”

When we think of visages that defined Renaissance art between the fifteenth and sixteenth centuries, we're drawn to depictions of mythological and biblical figures and unnamed dames. Yet these subjects were only part of the artists' exploration of the human form—there was also the thriving art form of portraiture, which sought to express universality through the depiction of specific individuals. 

From September 9 - 12, New York City was abuzz with the return of the Armory Show and Independent, two of the most prominent fairs in the industry. Fall is traditionally the busiest season for the art world, and this year was no exception with many art goers trying to make up for lost time.

Here is a rundown of the wealthiest artists in the world. Some people on the list may surprise you!

In ancient Rome, bathing was a staple, not a luxury. Bath buildings are one of the most frequently encountered types of structure at archeological sites across the Roman world, from the Middle East to Northern Europe.

Robert Rauschenberg: Channel Surfing traces the artist’s creation of a visual language that addresses fundamental transformations in media culture in the late 20th-century, a period marked by the apotheosis of television and the emergence of the internet.

This self-portrait, exhibited in Paris in 1895, came with a caption from an unnamed male art critic noting that “this woman” often had critics assume the work had been painted by a man, because no woman would have been capable of this quality of painting.

When Yayoi Kusama established herself in New York City in 1958, the first thing she did was visit the Empire State Building. She climbed the landmark, looked out at the astonishing city, and, as she recalled in an earlier interview republished with Artspace, “aspired to grab everything that went on in the city and become a star.