![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/category_card_187x139/public/ab15211bartonthe-more-human-lovelg.jpg?itok=LJbNuU6F)
Alone, occupying a single wall in the Parrish Art Museum’s light-drenched first gallery space in Water Mill, NY is an improbably massive (10 feet by 20 feet by 1 inch), strangely…
Studio
Iowa-based multimedia artist Jim Shrosbree won a prestigious …
For many, the term “printmaking” may conjure images of Enlightenment-era political cartoons or perhaps a Renaissance printing press, but printmaking is one of the oldest human art forms.
The first time I experienced the work of artist Barry…
The Elizabeth Foundation for the Arts is an art residency and studio program on 39th Street in Manhattan, just…
A sense of interconnectedness resides at the heart of mixed-media artist Rose…
Artist Nerys Levy feels that art is a “soft introduction” to …
With Earth Day approaching, it feels appropriate to bring the concept of environmental art back to the forefront of conversation. Environmental art, also referred to as land art,…
Often referred to as “the grandmother of performance art,” Marina…
Based in LA, Fallah makes detailed, collage-esque paintings with mirrored and patterned images.
Art & Object looks back at a 2021 conversation with the in-demand artist to discuss her initial interest in art, opportunities that have come her way and how they have impacted her work, and her…
Glass artist Jonathan Michael Davis was forced to navigate the changing context of a 2019 airport commission—for which he designed coronal sculptures—when COVID arrived. “What began as an initial…
April Bey’s practice is grounded in the fundamental truth that systems and attitudes don’t need to be the way they are. Through both her striking aesthetic and her conceptual approach, Bey breaks…
"Puberty" is chockfull of intelligent art-historical references, handwritten personal divulgences, casually surreal still lifes, and nude self-portraiture. Every aspect of the publication…
The fedora stays on, the jacket, too, even in the dog days of summer as Bell mills about his new show, Larry Bell & John Chamberlain. His contribution includes a corner of the south gallery…
![Ginevra de’ Benci [obverse]. 1474/1478. Leonardo da Vinci. Oil on Panel. Ailsa Mellon Brue Fund, National Gallery of Art.](/sites/default/files/styles/image_5_column/public/ginevradebenciobverse196761a.jpg?itok=hIzdUTaK)