![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/category_card_187x139/public/ab15211bartonthe-more-human-lovelg.jpg?itok=LJbNuU6F)
Fifty years after their last show, the Art Institute of Chicago presents the first major survey of the Hairy Who, a group of six Chicago Imagists. Similar to New York Pop Art in their use of imagery…
Museum
From deep within Private Eye HQ guest curator Ian Hislop takes you on a journey through the history of protest and dissent using objects from the British Museum collection.
Through her iconic casts of domestic objects and spaces, Rachel Whiteread has created a language of her own, one that subtly tells stories about the quiet moments of our lives and the places they are…
The Metropolitan Museum of Art has all of their Vincent Van Gogh masterpieces under one roof for the first time in years. The Met owns sixteen Van Gogh's, the largest collection in North America. The…
Opening Friday at the Minneapolis Institute of Art (Mia), Sara Cwynar: Image Model Muse uses film, collage, and composite photographs to examine how design and popular images impact our psyches…
An extensive exhibition at the Met Breuer, "Odyssey: Jack Whitten Sculpture 1963–2017" introduces viewers to the acclaimed painter’s previously unknown sculpture. A groundbreaking innovator…
Sculptor, musician, and computer programmer, Christopher Schardt, talks about "Nova," his installation of programmable LED lights that respond in psychedelic patterns to classical musical…
Vernacular photographs are the lifeblood of affirmative self (re)presentation. For African-Americans, whose relationship with photography has always been complicated—stemming from, among other…
The creation of each Guggenheim exhibition involves many people, and all of them bring different kinds of technical expertise to the installation process. For two decades, Derek DeLuco, Senior…
Inspired by a 1989 Guerrilla Girls poster stating, “You’re seeing less than half the picture without the vision of women artists and artists of color,” a new exhibition at the Brooklyn Museum…
Dr. Beth Harris and Dr. Steven Zucker discuss the classical marble sculptures Dying Gaul and Gaul killing himself and his wife (The Ludovisi Gaul). Both are 1st or…
Currently at the Peabody Essex Museum (PEM), Empresses of China’s Forbidden City is the first ever international exhibition to explore female power and influence during China’s last…
The ecofeminist visions of artist Ana Mendieta and writer Rebecca Solnit guide this exhibition of works concerned with how the body relates to the earth. Drawn primarily from the Museum of…
Now at the Portland Art Museum, APEX: Avantika Bawa features new work by the Portland-based artist. The APEX series celebrates Northwest-based artists and is curated by Grace Kook-…
Tom Kalin of the AIDS activist collective Gran Fury responds to American Policy, a series of pastel drawings by Cheyenne/Arapaho artist Hock E Aye VI Edgar Heap of Birds and…
![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/image_5_column/public/ab15211bartonthe-more-human-lovelg.jpg?itok=wW_Qrve3)
![Ginevra de’ Benci [obverse]. 1474/1478. Leonardo da Vinci. Oil on Panel. Ailsa Mellon Brue Fund, National Gallery of Art.](/sites/default/files/styles/image_5_column/public/ginevradebenciobverse196761a.jpg?itok=hIzdUTaK)
