![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/category_card_187x139/public/ab15211bartonthe-more-human-lovelg.jpg?itok=LJbNuU6F)
Who was Artemisia Gentileschi and how does she portray herself in this rare self-portrait? Letizia Treves, the James and Sarah Sassoon Curator of Later Italian, Spanish, and French 17th-century…
Museum
Two hundred years after Audubon traveled across America, tracking native bird species for his magnum opus, The Birds of America (1827–39), Italian artist Hitnes has retraced Audubon's…
The 89-year-old Claes Oldenburg has created a series of sculptures that look like maquettes, comprised in part of familiar works from his oeuvre. "Shelf Life" is a clever play on words from an artist…
"How do remains convey what's no longer present?" Curator Janice Kamrin and Conservator Anna Serotta on the coffin of Nedjemankh
Sculptor Petah Coyne treats her materials as a sort of language with which to share stories, drawing inspiration from literary sources as diverse as Greek mythology and Charles Dickens. (…
At the Whitney’s retrospective of David Wojnarowicz, social and cultural contexts mark the artist’s stunning and expansive body of work.
Now at the Los Angeles County Museum of Art (LACMA), In and About LA showcases the late Robert Rauschenberg’s photographic exploration of Los Angeles. A pioneering American artist whose…
Now at the MIT List Visual Arts Center, The Last Days of Pompeii, an installation by multidisciplinary artist Delia Gonzalez, creates a multimedia environment, using intricate drawings,…
The tagline is: what if—what if Indians invented photography? Would there be a different set of protocols or ideas or notions of exchange in relation to this kind of image-making…
Mark your calendar for spectacular exhibitions perfect for summer holidays, chosen by Tim Marlow, artistic director the London’s Royal Academy of Arts. This month, discover California’s outsize…
Beth Harris and Lauren Haynes, Curator, Contemporary Art, Crystal Bridges Museum of American Art, discuss Titus Kaphar's The Cost of Removal (2017, oil, canvas, and rusted…
The Cooper Hewitt, Smithsonian Design Museum is celebrating all that glitters in their latest exhibition of works from the permanent collection, Iridescence. A stunning visual effect…
As part of their ongoing contemporary art series, this month the Denver Art Museum (DAM) debuts Eyes On: Julie Buffalohead, showcasing the work of the Minnesota-based artist and…
"Can nature's fragility be perceived?" Ranjani Shettar on her installation "Seven ponds and a few raindrops"
One of the most spectacular objects in Peacock in the Desert: The Royal Arts of Jodhpur, India is the Lal Dera, or Red Tent. On view at the Museum of Fine Arts, Houston, through…
![Merina [Pop Chalee] Lujan, Taos, 1906 – 1993, Yellow Horse, gouache on paper, 13 1/8 x 18 1/8 in. (33.3 x 46 cm.) Estimate: 1,000 – 2,000](/sites/default/files/styles/image_5_column/public/4630-58.jpg?itok=kBAYkc0u)
![Ginevra de’ Benci [obverse]. 1474/1478. Leonardo da Vinci. Oil on Panel. Ailsa Mellon Brue Fund, National Gallery of Art.](/sites/default/files/styles/image_5_column/public/ginevradebenciobverse196761a.jpg?itok=hIzdUTaK)
